Graduate School of Letters, Kyoto University
Aesthetics and History of Arts
Journals form Bigaku Kenkyuushitsu To be pdated by: 01/09/2009
From 1980 to 2001, we annually published Kenkyukiyo (Studies in Aesthetics and Art History). This bulletin has been succeeded by Kyoto Bigaku Bijutsushigaku (Kyoto Studies in Aesthetics and Art History) since March 2002. Though the articles are all in Japanese, they include the table of contents in English (some are in other European languages).
Kyoto Studies in Aesthetics and Art History, Vol.8, March, 2009
Kayo HIRAKAWA, "Birth of the Painting on Copperplate"
Takashi SUGIYAMA, "Ein Abortus der Aufklärung oder der Vorläufer der Disko? Über den Lärm um das Farbenklavier".
TANAKA Ken'ichi, "Issues surrounding the Eleven-headed Kannon sculptures at Seiryoji (Nara) and Kannonji (Kyoto): an examination of iconographical features"
Hyeona JEONG, "Refiguring the 1950’s realism paintings in Japan-The case of paintings of the reportage-"
YAZU Eriko, "A study on Kiyokata Kaburaki's Painting:Tsukiji Akashi cho"
Kyoto Studies in Aesthetics and Art History, Vol.7, March, 2008
Hiroshi YOSHIOKA, "Metaphysics of Digital Media"
Eunah KIM, "On Buddha in bhumisprsa mudra (earth-touching posture):
The case of Guang Yuan Qian Fo Ya Lian Hua Ddong"
Yoshitaka OHTA, "A study on Deleuze's concepts of Time and Body in his art theory"
Namyoung SEO, "A study on the pensive bodhisattva images of the Guyang
--- Examining the images' symmetrical placement and dates of production---"
Yuya FUKUSHI, "A study on Ito Jakuchu's fusuma-e in Saifukuji-temple---his later style and representation of fowl---"
Kyoto Studies in Aesthetics and Art History, Vol.6, March, 2007
Tadahito TSUTSUI, "A Study of the Representation in the "Yamanakatokiwamonogatariemaki""
Katsunishi NAKAGAWA, "The Musicalization of Noise --- the Sound of Prepared Piano"
Asuka NAKADA, "History of "Way to Calvary" in Antwerp: from early 16th century to Brugel"
Fumiko NAKAMURA, "The Viewpoint as Archive, The Viewpoint for Archive ---An Essay about the Photo Archival Art after 1960"
Kyoto Studies in Aesthetics and Art History, Vol.5, March, 2006
Toshiharu NAKAMURA, "Tribute to Professor Kenichi IWAKI"
Nils BRÜTTNER, Trans. Michiko FUKAYA, "Ars Cosmographia --- Landschaftskunst und Weltbeschreibung im Europa der Fruühen Neuzeit ---"
Akiko ONO, "Fashion of 'Court Style Kosode' in the Latter Half of the 17th Century"
Nannan ZHANG, "The Revelation of the Godaisan Bodhisattva in Guimet Musee National des Arts Asiatique"
Kensuke NEDACHI, "Introduction of Work: Taiko-an Seated Wooden Portrait of Syokai Reiken"
Professor Kenichi IWAKI's Biography and Bibliography
Kyoto Studies in Aesthetics and Art History, Vol.4, March, 2005
Kensuke NEDACHI, "Tribute to Professor Johei Sasaki on the Occasion of His Retirement"
Ken-ichi IWAKI, "Phänomenologie des künstlerischen Geistes(10)"
Kensuke NEDACHI, "Tendency of Buddhist Sculptors in about the First Halt of 10th Century"
Yoko SANEKATA, "Transfiguration of Vegetables:The Subject and its Background of Go Shun's Work"
Youngsam OH, "The Illusion of True View"
Jungyoon YANG, "Gebruick en Misbruik van Wijn"De bruiloft te Kana"van Jan Steen"
Takashi Sugiyama, "Über die Bedeutung der Herderschen Kant-Kritik in seiner Kalligone: Ein Aspekt für die Studien zur Geschmackslehre Kants,"
Professor Johei Sasaki's Biography and Bibliography
Kyoto Studies in Aesthetics and Art History, Vol.3, March, 2004
Ken-ichi IWAKI, "Phänomenologie des künstlerischen Geistes(9)"
Shizuko HARAGUTI, "AnIconographical Study on Lotus Sutra Mandala of Hnpoji Temple and some Documents concerning Priest Joshin"
Kin-ya NISHI, "The Aesthetic Experience of Romantic Irony:Revolutionary or Flawed?"
Ya-mei YEN, "Some Problems of Dingxiang in Song and Yuan Dynasties"
Momo MIYAZAKI, "A Study on Yatsuhashi (Bridge and Irises) by SAKAI Hoitsu"
Kyoto Studies in Aesthetics and Art History, Vol.2, March, 2003
Ken-ichi IWAKI, "Phänomenologie des künstlerischen Geistes(8)"
Kensuke NEDACHI, "Problems Related to Unkei’s Two Titles"
Atsuo YASUDA, "Shinsen Wakan-Shoga-ichiran (A Small Biographical Dictionary of Painters and Calligraphers,1786)"
Tomohiko UMEDA, "Klimt und der Pointllismus - Studie über die Veranderungen in den Landschaften von Klimt von 1900 bis 1910"
Cheng-fa HSIEH, "Concerning the Significance of the Stamped Clay Murals Zhulin Qixian from the Tomb of Xishanjiao, Nanjing, during the Six Dynasties Period"
Takahiro NISHIBAYASHI, "On Buddha in bhumisparsa mudra(earth-touching posture): The Case of Lonmen Caves in Early Tang Dynasty"
Tomoko YOSHIDA, "Le Paysage de Jean-Honnré Fragonard: Sa Logique d’Exécution"
Kyoto Studies in Aesthetics and Art History, Vol.1, March, 2002
Ken-ichi IWAKI, "Phänomenologie des künstlerischen Geistes(7)"
Soyon KAN, "Syncretizing Daoism & Buddhism : A Study of ''Descending Shijoko Buddha'' in Kyoto Koryo Art Museum"
Azusa KENMOCHI, "Filippo Lippi e la Bottega Squarcione"
Yu YAZAKI, "An Introduction to a Study on Joseph Beuys : <<BLOCK BEUYS>> as a Large Box"
Suchu LI, "On The Chronological Table of Chin To-Ha (1895-1947)--Centering around Three Curricula Vitae"
Kensuke NEDACHI, "[Research Report]Daijo-ji Temple (Hyogo Prefecture) : Statue of ''Bhaisajyaguru-vaiduryaprabharaja(Yakushi-Nyorai)'', statues of ''Four Guardians (Shitenno)''"
Message about the Inaugural Issue
Studies in Aesthetics and Art History, Vol.22, 2001
Phänomenologie des kunstlerischen Geistes (6)
......Ken'ichi IWAKI
"After Unkei, there was no more sculpture in Japan": Transmission of Unkei's Fame
......Kensuke NEDACHI
The Frame of Films: Hitchcock’s ”Vertigo”
......Michiko USUI
Meanings and Functions of Buddhist SculPtures: The Case of Shaka-Nyorai(Sakyamuni) at Daian-ji
......Mai SARAI
John Cage - Listening to the Sound of the Enviroment
......Katsushi NAKAGAWA
The Evolution of the style in Tankei and his ContemPoraries: the Amitabha SculPtures at Shoho-ji(Hakkaku-do), Kyoto and at Saionji, Kyoto
......Kumiko MATSUOKA
Studies in Aesthetics and Art History, Vol.21, 2000
Phänomenologie des kunstlerischen Geistes (5)
......Ken'ichi IWAKI
APPearance of Buddhist SculPtors so-called Sogo-busshi
......Kensuke NEDACHI
DuchamP Describing／DuchamP Described
......Yukihiro HIRAYOSHI
Ethics of Exhibitions : A Study on RePresentation of the Female Nude in the Last Decade of the 19th Century in JaPan
......Mari TAKAMATSU
"Musical ComPany"; One of the TyPes in Music Scenes by the Utrecht Caravaggistti
......Michiko FUKAYA
Studies in Aesthetics and Art History, Vol.20, 1999
The Design Education by Seigo MOTONO
......Hisao MIYAJIMA
Phänomenologie des kunstlerischen Geistes (4)
......Ken'ichi IWAKI
Views of Portrait around Priest Chogen
......Kensuke NEDACHI
What Jakuchu AttemPted to ExPress in his Paintings -- On Three Pieces of Colored Crane Paintings before "Doshoku-saie"--
......Akira ICHIKAWA
Chang Yen-yuan's Li-tai ming-hua chi (Ricord of Famous Painters of All the Dynasties) and it's Age: On the relationshiP amongst Politics, Literati, and Writings in the second half of T'ang Dynasty
......Shih-ming PAI
A Study on Pottery Figurines of Han Dynasty in Jiangsu Province --Focusing of the Beidongshan Tomb if Western-Han Dynasty in Xuzhou--
......Jiang FU
A Case Study of the Heaven Icon of the Northern Dynasty--the Yuan Yi Tomb
......Sheng-chih LIN
Studies in Aesthetics and Art History, Vol.19, 1998
The Background of Literati Painting: Ideology and Era
......Johei SASAKI
The Design Education by Goichi TAKEDA
......Hisao MIYAJIMA
Phänomenologie des kunstlerischen Geistes (3)
......Ken'ichi IWAKI
The Use of Paintings in Architectural SPace --In the Case of Kubon-Raigo-zu (nine grades of Amida's descent)--
......Yoshitoyo OHARA
Due restauri statuari nel Veneto doPo La Prima guerra mondiale
......Tadashi KANAI
On the Model Drawings for the "Ober St. Veit AltarPiece": Some AsPects of Duerer's Chiaroscuro-Drawings
......Kayo HIRAKAWA
On the Limitation of Tragedy in Aristotle's Poetics: Outside the Drama, which does have relation with the Inside (2)
......Masaya WAKABAYASHI
Studies in Aesthetics and Art History, Vol.18, 1997
Theory of Design by Goichi TAKEDA: The History of Kyoto Higher School of Design (DePt. of Design)
......Hisao MIYAJIMA
On Rubens and Titian: From Imitation to Emulation (3)
......Toshiharu NAKAMURA
"DoPo la Peste nera" doPo il Meiss: le circostanze attuali e I temi della ricerca
......Atsushi OKADA
On the RePresentation of the Pine-tree in JaPanese LandscaPe Ink Painting
......Laura DEL PESCE
The Distance between Kosuth and Greenberg
......Yukihiro HIRAYOSHI
Immagine, canonizzazione e corPo del santo: Il "Trionfo di San Tommaso d'Aquino" di Santa Caterina, Pisa
......Tomoo MATSUBARA
On the Limitation of Tragedy in Aristotle's Poetics: Outside the Drama, which does have relation with the Inside (1)
......Masaya WAKABAYASHI
Studies in Aesthetics and Art History, Vol.17, 1996
Phänomenologie des kunstlerischen Geistes (2)
......Ken'ichi IWAKI
On Rubens and Titian: From Imitation To Emulation (2)
......Toshiharu NAKAMURA
Plato on Conflicting APPearances: RePublic Books 5 to 7.
......Motoaki KATO
Il Sangue del Redentore, il suo culto e La sua genealogia: "Il Sangue del Redentore" di Givanni Bellini
......Ciyori MIZUNO
The Discourse of "Clay": the Transition from Technique to SimPle, Kanjiro KAWAI in the 1920s
......Ayako YOSHITAKE
Studies in Aesthetics and Art History, Vol.16, 1995
A Study of Brushwork Technique known as Tsuketate
......Johei SASAKI
Phänomenologie des kunstlerischen Geistes (1)
......Ken'ichi IWAKI
On Rubens and Titian: From Imitation To Emulation (1)
......Toshiharu NAKAMURA
On "Hamamatsuzu-Pines on the Shore" in Tokyo National Museum
......Yoko SANEKAT
Language of Segmentation and Segmentation of Language: Heidegger, De Man, Adorno
......Kin-ya NISHI
Studies in Aesthetics and Art History, Vol.15, 1994
Logik der Welt von Bildern (2) --Frage nach der Moeglichkeit der KunstPhilosoPhie (3)--
......Ken'ichi IWAKI
Le statue morbide --L'aPPrezzamento da Parte di Quatremere de Quincy di Canova e degli Elgin Marbles--
......Tadashi KANAI
Plato on ReciProcal Love
......Motoaki KATO
On Huai-su's "Self-statement" in the Palace Museum, TaiPei
......Kenji SHIMONO
Das Gleichnis der Unvergleichbarkeit --Herman Cohens Aesthetik (2)--
......Fuminori AKIBA
Studies in Aesthetics and Art History, Vol.14, 1993
Logik der Welt von Bildern --Frage nach der Moeglichkeit der KunstPhilosoPhie (2)--
......Ken'ichi IWAKI
Le mouvement et le temPs au cinema
......Masaru AOYAMA
The origin of the half naked bodhisattva images in the cave-temPles at Northern Hsiang-t'ang Shan
......CHUNG Ye Kyung
Etude sur les oeuvres d'Edouard Manet: Les significations dans la Balcon(1868-9)
......Tomoko OGAWA
Die aesthetische Erfahrung der Natur: In Ruecksicht auf die Frankfurter Schule
......Osamu MAEKAWA
On the Statue of Dainichi-Nyorai (Vairocana) at Enjo-ji
......Keisho TONAMI
Studies in Aesthetics and Art History, Vol.13, 1992
"Cleaning Controversy" e la sua storia (1)
......Atsushi OKADA
On Zhu Yun-ming's Mad Cursive ScriPt
......Kenji SHIMONO
On Pin-yang-chung-tung (Pin-yang cave), Lungmen
......Yasuo INAMMOTO
Images and Reality
......Hiroshi UEMURA
A Study of "Inuoumono (Dog Chase)" Screen, in the Collection of University Museum, Faculty of Letters, Kyoto University
......Atsuo YASUDA
Studies in Aesthetics and Art History, Vol.12, 1991
The First Half of Maruyama Okyo's Life
......Johei SASAKI
Von der APorie bei der KunstinterPretation: --Frage nach der Moeglichkeit der KunstPhilosoPhie--
......Ken'ichi IWAKI
Concerning Jigoku Gokuraku Zu in Konkaikoumyou-ji TemPle
......Makoto KASUYA
Ueber das Gegebene im aesthetischen Erlebnis
......Fuminori AKIBA
Rembrandt's Study of Leonardo's Last SuPPer
......Miki YAMAZAKI
Studies in Aesthetics and Art History, Vol.11, 1990
The Social-cultural Background to the Birth of Shaseiga
......Johei SASAKI
OGATA Korin and Kano School: His Study of Kano School and the Influence on his Ink Paintings
......Atsuo YASUDA
Bodies and SPace in the Work of Art: A Bergsonian APProach towards the Aesthetic PercePtion
......Hiroshi UEMURA
"Above" and "Below" in Sky Blue: Kandinsky in Paris
......Kazuo NAKABAYASHI
Die allegorischen Werke von Gustav Klimt: Sein Hintergrund und seine Bedeutung
......Kaneshi NISHIDA
The Catalogue of CoPies from Saiiki-Kaiga, In the Collection of University Museum, Faculty of Letters, Kyoto University
......Zenzo SHIMIZU
Studies in Aesthetics and Art History, Vol.10, 1989
Art and "Das Damonische"
......Kenjiro YOSHIOKA
The AccePtance and DeveloPment of Chinese Painting PhilosoPhy during the Edo Period: The Kano and Tosa Schools and Maruyama Okyo
......Johei SASAKI
Schoenheit und Freiheit in Kants Kritik der Urteilskraft
......Satoko UE
Wahrheit und Kunst in Heideggers Denken
......Nobuyuki KOBAYASHI
On the Aesthetics of Roman Ingarden
......Akiko KASUYA (OTA)
On the Portrait of Mtsui Yohachiro in Hohsen-ji
......Rie MORI (SATO)
Studies in Aesthetics and Art History, Vol.9, 1988
AsPects of the Turning Point in the History of JaPanese SculPture
......Zenzo SHIMIZU
The FriendshiP of Okyo and Buson
......Johei SASAKI
An Examination of Kojima-Mandala
......Makoto KASUYA
An APProach to the French Painting of The Second Half of the Nineteenth Century: In the Current of Revisionism
......Noriko YONEMURA (YAMAGUCHI)
Sur la semiologie Picturale
......Rumi KOBAYASHI (YOSHIOKA)
Studies in Aesthetics and Art History, Vol.8, 1987
Reserch on the Formative Process of Early Literati Painting in JaPan: With a Focus on the Artists Nankai and Kien
......Johei SASAKI
Screen Painting of Daisen-in Danna-no-ma, Daitokuji-TemPle: On the Renovation in ComPosition
......Seishi NAMIKI
Sotatsu's "Sekiya-Miotsukushi, Tale of Genji" Screens: A Phase of Sotatsu's Paintings
......Atsuo YASUDA
A Study of the of the Pictorial SPace in JaPanese Narrative Painting Scrolls, mainly concerning the Ishiyama-dera Engi Emaki
......Shizuko HARAGUCHI
Ksode (Garments) and Genre Painting in the Late Seven-teenth Century
......Rie MORI (SATO)
What kind of "PhilosoPhy" in the cinema is ?
......Masahito IINO
"Mademoiselle Pogany" by Constantin Brancusi
......Sumio SASAYA
Studies in Aesthetics and Art History, Vol.7, 1986
Art and Art History
......Kenjiro YOSHIOKA
La vision de la Peinture figurative et la vision ordinaire
......Kiyoshi OKADA
Werk und Welt: nach M.Heidegger
......Nobuyuki KOBAYASHI
Half-length Figural GrouPs in Early Netherlandish Painting: Concerning the Pictorial TyPe Known as "The Man of Sorrows"
......Junko NINAGAWA
On The Amida Nyorai, the main Image, of Byodo-in Phoenix Hall
......Yasuo OHMIYA
Views in and around Kyoto by Kano Masanobu
......Seishi NAMIKI
Studies in Aesthetics and Art History, Vol.6, 1985
A Study of Maruyama Okyo's Figure Paintings: Focusing on their Process of Production
......Johei SASAKI
On the Painting Presented to Hao Xuanming being DisPatched to Qin: A Phase of Paintings in the Transition
......Michifusa KONO
Romanesque Architecture in Southwest EuroPe: The Formation of Interior SPaces
......Yoshiaki TAKAHA
Merleau-Pnty et Freudisme
......Rumi KOBAYSHI (YOSHIOKA)
W. Iser's Theory of Reading
......Tetsuhiro KATO
Concerning the Itsuo Art Museum's Kumano Honji Emaki
......Johei SASAKI, Seishi NAMIKI, Atsuo YASUDA and Shizuko HARAGUCHI
Studies in Aesthetics and Art History, Vol.5, 1984
On the SculPture of Fujiwara-Period from AsPect of Measurement
......Zenzo SHIMIZU
The Establishment of a Classical Style in the History of JaPanese Buddhist SculPture
......Shinsei YAMANA
Riconsiderazione su la <Vergine delle rocce> di Leonardo
......Atsushi OKADA
Hieronymus Bosch's Christ Carrying The Cross in The Gent MunuciPal Museum of Art:Concerning its Date of Production
......Junko NINAGAWA
Das Problem des aesthetischen Urteils bei Kant
......Satoko UE
Sartre's Theory of Art
......Tomoyuki KITAMURA
Studies in Aesthetics and Art History, Vol.4, 1983
Before aesthetics
......Kenjiro YOSHIOKA
Cezanne and his Posterity
......Takanori NAGAI
Literary Communication: A SPeech Acts Theoretical Consideration of Fictionality
......Fumikazu KISHI
Genius and Modernity
......Hiroshi YOSHIOKA
Ce qui cristallise a Partir de la trace: Levi-Strauss et l'esthetuque
......Motoaki SHINOHARA
Studies in Aesthetics and Art History, Vol.3, 1982
Maruyama Okyo's Painting Theories: Focusing on the text entitled Banshi
......Johei SASAKI
A Study of Van Gogh's 'La nuit etoilee'
......Noriko YONEMURA (YMAGUCHI)
Van Gogh's Colours in his Arles Period
......Toshiharu NAKAMURA
A consideration of artistic exPerience: APriori and Creation
......Aiko HAYASHI
Schema und Bild: Einer Versuc, Kantischen Aesthetik zu interPretieren
......Aritsune YONEZAWA
Studies in Aesthetics and Art History, Vol.2, 1981
On the statue of Amida-Nyorai at Bussho-ji temPle
......Zenzo SHIMIZU
Von der Technik der Predigenden des gestickten Buddhas in dem alten Kajuji TemPel: Die Ketten Stiche und die Knoten Stiche
......CHUNG Won Jin
"Lume" e "lustro" : Intorno alla rePresentazione di lustro nella Pittura italiana della Prima meta del Quattrocento
......Atsushi OKADA
The Structure of Flesh and the Works of Art
......Ken-ichiro UMEHARA
Das Problem der Kunst bei Gadamers Hermeneutik
......Tetsuhiro KATO
L'ouvert et le clos dans l'art: Umbert Eco et l'esthetique
......Tomoaki SHINOHARA
Studies in Aesthetics and Art History, Vol.1, 1980
Style and Structure in Art
......Kenjiro YOSHIOKA
Sinn und Struktur der kunstlerischen Tatigkeit
......Nobuaki INOMO
H.-G.Gadamers PhilosoPhie der Kunst
......Tetsuhiro KATO
Concerning Literary Style
......Fumikazu KISHI
On Poetic Language: Aesthetics of Jan Mukarovsky
......Hisashi MUROI
Les arabesque chez Antoine Watteau
......Kan SHIMAMOTO
The Pictorial maP of Kosan-ji Dated 1230 and a New Style of LandscaPe Painting in the Kamakura Period
......Hiroshi NAKASHIMA